Botanical sceneries with invisible architecture

Scenografie botaniche dall’architettura invisibile

A chat with Tobia Girardi

Being a flower designer today means far mor than arranging flowers. It means reading a space, sensing an atmosphere and transforming it into something that can truly be experienced. Every installation begins with a dialogue between the client, the location and the season. Before colours or materials come into play, there is the need to understand what a space should convey. This is why Tobia Girardi approaches his compositions as elements capable of creating emotion, identity and a deep connection with a place.

Nature is always the starting point of his work, far from a purely aesthetic exercise. Larch branches, nigella pods, dried flowers, dried fruit and handmade paper bring movement and depth to each composition. Living, seasonal materials that tell the story of the territory without artificially imitating it. This is where the deep connection with Alpe Pragas originates: a shared search for authenticity and a desire to express the spirit of the mountains through thoughtful details.

Every installation is built through a careful study of lines, proportions and colour. Behind its apparent spontaneity lies continuous research inspired by art, exhibitions and the observation of nature itself. For Tobia, creativity is above all the ability to observe what already exists and transform it into something new, perfectly aligned with the place that hosts it. What he hopes to leave to those entering one of his spaces is a feeling of balance and belonging. At a time when many spaces are losing their soul, nature continues to carry that truth that only a moment can reveal.

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